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home·artworks·House over the Bridge
House over the Bridge by Diego Rivera

plate no. 2285

House over the Bridge

Diego Rivera, 1909

oil, canvasSocial Realismcityscapebuildingswaterbridgecityscapecanalreflection
some experience helpful

Recreating this painting will help students develop skills in rendering reflections and creating atmospheric perspective with a limited color palette. It also provides practice in capturing architectural details with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, bridge, and canal, paying attention to perspective.

  2. step 02

    Establish the overall warm tone of the painting with a thin wash of burnt umber and yellow ochre.

  3. step 03

    Block in the major color areas of the buildings, using variations of yellow, orange, and brown.

  4. step 04

    Paint the dark water of the canal, using a mix of burnt umber and black, and create the reflections of the buildings.

  5. step 05

    Add details to the buildings, such as windows and architectural features, using a small brush.

  6. step 06

    Create the foliage on the right side of the painting with dark greens and browns, using broken brushstrokes.

  7. step 07

    Refine the details and add highlights to create depth and dimension.

  8. step 08

    Add final touches and adjust values as needed to achieve the desired atmospheric effect.

color palette

primary · yellow ochre · burnt umber · black

secondary · cadmium yellow · burnt sienna · raw umber

Achieve the warm, muted tones by mixing yellow ochre with burnt umber and small amounts of black. Use burnt sienna to add warmth to the building details.

techniques

  • ·underpainting
  • ·broken color
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details
  • →Creating overly bright or saturated colors
  • →Ignoring the importance of reflections
  • →Failing to establish a strong value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·rags

Use a medium-grit canvas to allow for texture. Consider using a toned canvas to speed up the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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