
plate no. 5453
Louay Kayyali, 1960
Recreating this painting will help students develop skills in portraiture, glazing techniques, and creating a textured background. It also provides practice in rendering form with subtle value changes.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the proportions of the figure and the placement of the container.
Apply a thin wash of burnt umber or raw sienna to the entire canvas to create an underpainting.
Block in the main areas of color: skin tones, clothing, background, and container, using muted tones.
Begin layering glazes of color to build up depth and dimension in the figure and clothing.
Add details to the face, paying attention to the subtle shifts in value and color.
Create texture in the background by stippling or dry brushing different shades of brown and beige.
Refine the edges of the forms and add highlights to create a sense of light and shadow.
Add final details to the container and the strap, ensuring they are accurately rendered.
color palette
primary · burnt umber · raw sienna · titanium white
secondary · ultramarine blue · cadmium red light · yellow ochre
Achieve the skin tones by mixing burnt umber, raw sienna, and white, with small amounts of red and blue for subtle variations. The background is created by layering different shades of brown and beige.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grit canvas for better texture. Consider using a toned canvas for easier value control.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor