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The Ice Birds by Emile Claus

plate no. 2350

The Ice Birds

Emile Claus, 1891

oilLuminismgenre paintingfiguresicesnowwinterlandscapesky
some experience helpful

Recreating this painting will help students develop skills in depicting light and shadow on snow and ice, as well as creating a sense of atmosphere using subtle color variations. It also provides practice in painting figures in a landscape.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figures and the horizon line.

  2. step 02

    Establish the overall color scheme by blocking in the large areas of the sky, ice, and snow with diluted washes.

  3. step 03

    Begin building up the values and details in the sky, using soft, blended brushstrokes to create a sense of atmosphere.

  4. step 04

    Develop the ice and snow, using a variety of brushstrokes to suggest texture and depth. Pay attention to the subtle color variations in the snow.

  5. step 05

    Paint the figures, focusing on capturing their poses and proportions. Use darker values to create contrast and define their forms.

  6. step 06

    Add details such as the reflections on the ice and the distant trees.

  7. step 07

    Refine the painting by adjusting the values and colors as needed. Step back frequently to assess your progress.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · titanium white · yellow ochre · raw umber

secondary · ultramarine blue · burnt sienna

Achieve the subtle variations in the snow and ice by mixing white with small amounts of yellow ochre, raw umber, and ultramarine blue. Use burnt sienna to create warmer tones in the sky and reflections.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too saturated and creating a harsh, unrealistic effect.
  • →Failing to capture the subtle color variations in the snow and ice.
  • →Making the figures too detailed or prominent and distracting from the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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