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home·artworks·The Honourable Edward Sackville West
The Honourable Edward Sackville West by Graham Sutherland

plate no. 5845

The Honourable Edward Sackville West

Graham Sutherland, 1958

oilExpressionismportraitportraitfiguremanclothingfacehead
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing likeness through careful observation. It also provides practice in layering and blending paint to achieve subtle tonal variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head and shoulders.

  2. step 02

    Block in the background with a thin layer of brown paint.

  3. step 03

    Establish the main areas of light and shadow on the face using a limited palette of earth tones.

  4. step 04

    Begin layering and blending colors to refine the skin tones, paying attention to subtle variations in hue and value.

  5. step 05

    Paint the clothing, focusing on the folds and shadows.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, using small brushes.

  7. step 07

    Refine the edges and contours of the figure to create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the overall realism.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · viridian green · ultramarine blue · yellow ochre

Achieve skin tones by mixing raw umber, burnt sienna, and titanium white. Use small amounts of green and blue to create cooler shadows. Mix viridian green with yellow ochre and white for the jacket.

techniques

  • ·portraiture
  • ·color mixing
  • ·layering
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overmixing the colors, resulting in muddy tones.
  • →Ignoring the subtle variations in skin tone.
  • →Being too heavy-handed with the brushstrokes.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Raw umber oil paint
  • ·Burnt sienna oil paint
  • ·Titanium white oil paint
  • ·Viridian green oil paint
  • ·Ultramarine blue oil paint
  • ·Yellow ochre oil paint
  • ·Assorted brushes (round and flat)

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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