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home·artworks·The Haunting Dancer
The Haunting Dancer by Gino Severini

plate no. 9027

The Haunting Dancer

Gino Severini, 1911

oil, canvasDivisionismgenre paintingfigurescatsdancerspointillismabstractnight
some experience helpful

Recreating this painting will help students understand color mixing for pointillism and how to build form using small strokes of color. It also provides practice in creating a unified composition with a complex, abstract style.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the figures and cats.

  2. step 02

    Divide the composition into larger color zones based on the original painting.

  3. step 03

    Begin applying small, individual dots of color within each zone, focusing on local color.

  4. step 04

    Introduce variations in color within each zone to create depth and visual interest.

  5. step 05

    Pay close attention to the edges of shapes, using color variation to define them.

  6. step 06

    Gradually build up layers of dots, allowing colors to mix optically.

  7. step 07

    Refine the details of the figures and cats, adding highlights and shadows with small dots.

  8. step 08

    Step back and assess the overall balance of the painting, making adjustments as needed.

color palette

primary · ultramarine blue · burnt sienna · titanium white · ivory black

secondary · cadmium red light · yellow ochre · turquoise

Mix various shades of blue by adding white or black to ultramarine. Create browns and oranges by mixing burnt sienna with yellow ochre and small amounts of red. Use white to lighten colors and create pastel shades.

techniques

  • ·pointillism
  • ·optical mixing
  • ·color layering
  • ·broken color
  • ·scumbling

common pitfalls

  • →Applying dots too uniformly, resulting in a flat appearance.
  • →Using too few colors, leading to a lack of visual interest.
  • →Losing the overall composition in the details.
  • →Not allowing colors to mix optically.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·assorted round brushes (sizes 0-4)
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface is recommended for pointillism.

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oil painting for beginners →how to learn by studying the masters →
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