
plate no. 9027
Gino Severini, 1911
Recreating this painting will help students understand color mixing for pointillism and how to build form using small strokes of color. It also provides practice in creating a unified composition with a complex, abstract style.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and placement of the figures and cats.
Divide the composition into larger color zones based on the original painting.
Begin applying small, individual dots of color within each zone, focusing on local color.
Introduce variations in color within each zone to create depth and visual interest.
Pay close attention to the edges of shapes, using color variation to define them.
Gradually build up layers of dots, allowing colors to mix optically.
Refine the details of the figures and cats, adding highlights and shadows with small dots.
Step back and assess the overall balance of the painting, making adjustments as needed.
color palette
primary · ultramarine blue · burnt sienna · titanium white · ivory black
secondary · cadmium red light · yellow ochre · turquoise
Mix various shades of blue by adding white or black to ultramarine. Create browns and oranges by mixing burnt sienna with yellow ochre and small amounts of red. Use white to lighten colors and create pastel shades.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A smooth canvas surface is recommended for pointillism.
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