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home·artworks·The Four Prosecutors - Sacco-Vanzetti Case
The Four Prosecutors - Sacco-Vanzetti Case by Ben Shahn

plate no. 2260

The Four Prosecutors - Sacco-Vanzetti Case

Ben Shahn, 1932

oilSocial Realismportraitfiguresportraitsbrick wallsuitshatssky
some experience helpful

Recreating this painting will help students practice simplifying complex forms and using a limited color palette to create a cohesive and expressive image. It's also a good exercise in capturing likeness with minimal detail.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figures and the brick wall, paying attention to their relative sizes and positions.

  2. step 02

    Block in the large areas of color, starting with the background sky and brick wall.

  3. step 03

    Establish the dark values of the suits, using a mix of black and burnt umber.

  4. step 04

    Add the lighter values to the faces and hands, using a limited palette of white, ochre, and a touch of red.

  5. step 05

    Define the details of the hats, ties, and other accessories.

  6. step 06

    Refine the shapes and proportions of the figures, paying attention to the subtle variations in their facial features.

  7. step 07

    Add any final details, such as the highlights on the suits and the texture of the brick wall.

  8. step 08

    Allow to dry and add a varnish layer.

color palette

primary · black · burnt umber · white · red ochre

secondary · ultramarine blue · raw sienna

Mix black and burnt umber for the suits. Use white and ochre with a touch of red for the skin tones. Add a touch of ultramarine blue to white for the sky.

techniques

  • ·blocking in
  • ·dry brushing
  • ·limited palette
  • ·simplification of form

common pitfalls

  • →Overworking the details
  • →Getting the proportions wrong
  • →Using too many colors
  • →Not establishing a clear value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·easel
  • ·rags
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Acrylics will dry faster, but oils will allow for more blending.

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related guides

oil painting for beginners →how to learn by studying the masters →
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