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home·artworks·The Fortune-Teller (Woman in Yellow Dress)
The Fortune-Teller (Woman in Yellow Dress) by Helene Schjerfbeck

plate no. 5979

The Fortune-Teller (Woman in Yellow Dress)

Helene Schjerfbeck, 1926

oilExpressionismportraitportraitwomandressfigureneutral background
some experience helpful

Recreating this painting will help students develop skills in simplified portraiture, color mixing with a limited palette, and creating form with visible brushstrokes. It will also teach how to suggest detail rather than rendering it precisely.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure on the canvas.

  2. step 02

    Block in the background with a thin wash of burnt umber and white, creating subtle variations in tone.

  3. step 03

    Establish the basic skin tones using a mix of white, burnt umber, and a touch of red.

  4. step 04

    Paint the hair in broad strokes of black, leaving some areas lighter to suggest form.

  5. step 05

    Block in the dress with a base of yellow and white, then add the circular patterns with darker yellows and browns.

  6. step 06

    Refine the facial features, focusing on the shapes of the eyes, nose, and mouth.

  7. step 07

    Add subtle highlights and shadows to create depth and dimension.

  8. step 08

    Adjust the overall composition and details as needed to achieve the desired effect.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · cadmium yellow · red oxide · black

Achieve the skin tones by mixing white, burnt umber, and a touch of red. Vary the proportions to create subtle variations in tone. The dress color is achieved by mixing white and yellow ochre, with cadmium yellow used for brighter accents.

techniques

  • ·dry brush texture
  • ·color mixing
  • ·simplified form
  • ·blocking in
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the expressive brushstrokes.
  • →Using too much color and creating a muddy effect.
  • →Failing to capture the likeness of the figure.
  • →Not paying attention to the subtle variations in tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium yellow oil paint
  • ·red oxide oil paint
  • ·black oil paint
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use a medium-textured canvas to enhance the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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