apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Fish and the Moon
The Fish and the Moon by Mordecai Ardon

plate no. 0393

The Fish and the Moon

Mordecai Ardon

oilExpressionismanimal paintingfishmoonwaterskyabstract landscape
some experience helpful

Recreating this painting will help students develop skills in layering paint, creating texture with visible brushstrokes, and understanding color relationships to create a mood.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes: the fish, the moon, and the horizon line.

  2. step 02

    Apply a thin wash of dark blue/green for the background.

  3. step 03

    Block in the main colors of the fish: white for the head, green/yellow for the body, and orange for the fins.

  4. step 04

    Add layers of color to the moon, blending orange and green.

  5. step 05

    Use thick brushstrokes to build texture on the fish, adding highlights and shadows.

  6. step 06

    Create the water effect with horizontal strokes of blues, greens, and browns.

  7. step 07

    Add small details and highlights to the fish's eye and other features.

  8. step 08

    Refine the edges and blend colors as needed to achieve the desired effect.

color palette

primary · ultramarine blue · yellow ochre · titanium white · viridian green

secondary · cadmium orange · burnt sienna · payne's gray

Mix greens by combining blue and yellow. Create muted tones by adding a touch of complementary color. Achieve the dark background by mixing blue, green, and a touch of brown.

techniques

  • ·impasto
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·broken color

common pitfalls

  • →Overblending the colors, losing the texture.
  • →Making the fish too realistic, instead of expressive.
  • →Not using enough paint, resulting in a thin and weak painting.
  • →Ignoring the color relationships between the fish and the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a variety of brush sizes and shapes to create different textures. Consider using a palette knife for applying thick layers of paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor