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home·artworks·The Far Snows of Minshan Only Make Us Happy
The Far Snows of Minshan Only Make Us Happy by Fu Baoshi

plate no. 0082

The Far Snows of Minshan Only Make Us Happy

Fu Baoshi, 1951

oilInk and wash paintinglandscapemountainssnowtreesfigureslandscapesky
some experience helpful

Recreating this painting will help students develop skills in controlling ink wash techniques and creating depth through tonal variations. It also encourages expressive brushwork to capture the essence of the landscape.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic mountain shapes and the horizon line.

  2. step 02

    Apply a very diluted wash of ink to the entire paper to create a subtle background tone.

  3. step 03

    Using a slightly darker wash, define the distant mountains and sky, leaving some areas lighter to suggest mist.

  4. step 04

    With a medium-strength ink wash, begin to build up the shadows and textures on the foreground mountains, using varied brushstrokes.

  5. step 05

    Use a darker, more concentrated ink to define the sharp edges and crevices of the mountains.

  6. step 06

    Add details like trees and figures using quick, expressive brushstrokes with a fine brush.

  7. step 07

    Create a sense of depth by layering washes and varying the intensity of the ink.

  8. step 08

    Add final details and adjust values as needed to achieve the desired atmospheric effect.

color palette

primary · black ink · white (of the paper)

secondary · gray washes

Achieve different shades of gray by diluting black ink with varying amounts of water. Experiment with layering washes to create depth and texture.

techniques

  • ·ink wash
  • ·dry brush
  • ·layering
  • ·atmospheric perspective
  • ·varied brushstrokes

common pitfalls

  • →Applying too much ink at once, resulting in a muddy appearance.
  • →Not diluting the ink enough, leading to a lack of tonal variation.
  • →Overworking the details, losing the spontaneity of the brushstrokes.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · Rice paper or watercolor paper

required

  • ·Chinese calligraphy brush (various sizes)
  • ·Black ink stick or bottled sumi ink
  • ·Ink stone or small dish for mixing ink
  • ·Rice paper or watercolor paper
  • ·Water container
  • ·Felt mat or newspaper to protect the work surface

optional

  • ·palette knife
  • ·seal and ink pad for signature

Experiment with different types of rice paper to find one that suits your style. Use a soft brush for washes and a stiffer brush for details.

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