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home·artworks·The Family of the Painter Adalbert Trillhaase
The Family of the Painter Adalbert Trillhaase by Otto Dix

plate no. 8977

The Family of the Painter Adalbert Trillhaase

Otto Dix, 1923

oilExpressionismportraitportraitfiguresfamilyinteriorsrosesarchitecture
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and conveying emotion through facial expression. It also provides practice in layering colors and creating texture with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Block in the main colors of the background, including the wallpaper and architectural elements.

  3. step 03

    Establish the skin tones of the figures, paying attention to the subtle variations in color.

  4. step 04

    Paint the clothing and furniture, using short, expressive brushstrokes to create texture.

  5. step 05

    Add details to the faces, including the eyes, nose, and mouth, to capture the likeness of each individual.

  6. step 06

    Paint the roses and vase, using a limited palette of pinks and greens.

  7. step 07

    Refine the details and add highlights and shadows to create depth and dimension.

  8. step 08

    Review and adjust the overall composition and color balance.

color palette

primary · ochre · brown · blue · green

secondary · red · pink · gold · grey

Mix various shades of brown and ochre for the skin tones and clothing. Use blue and green to create the background and hair. Mix white with the primary colors to create lighter tints.

techniques

  • ·portraiture
  • ·color layering
  • ·dry brush texture
  • ·expressive brushwork
  • ·color mixing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Failing to capture the likeness of the individuals.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a limited palette of colors to simplify the mixing process.

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