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home·artworks·The Family
The Family by Albin Egger-Lienz

plate no. 1362

The Family

Albin Egger-Lienz

canvas, oilExpressionismgenre paintingfiguresinteriorfamilywindowhatstable
some experience helpful

Recreating this painting will help students practice simplifying forms and using a limited color palette to create a cohesive and expressive image. Students will also learn to create depth and interest through subtle variations in tone and brushstroke.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the figures and the window.

  2. step 02

    Block in the main areas of color using thinned paint, starting with the background and then the figures.

  3. step 03

    Build up the darker tones in the figures' clothing and hats, using thicker paint and visible brushstrokes.

  4. step 04

    Add the lighter tones to the faces and hands, blending the edges slightly to create soft transitions.

  5. step 05

    Define the window frame and the light coming through the window with brighter yellows and whites.

  6. step 06

    Refine the details of the figures, such as the hands and the folds in the clothing.

  7. step 07

    Add final touches and highlights to create depth and interest.

  8. step 08

    Allow the painting to dry completely.

color palette

primary · yellow ochre · raw umber · ivory black

secondary · titanium white · burnt umber

Mix yellow ochre with raw umber to create the various shades of brown and yellow in the background and figures. Use white to lighten these colors and create highlights. Add small amounts of black to darken the colors and create shadows.

techniques

  • ·blocking in
  • ·dry brush texture
  • ·limited palette
  • ·scumbling
  • ·impasto

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Using too many colors and creating a muddy or chaotic effect.
  • →Failing to establish a clear focal point.
  • →Not paying attention to the subtle variations in tone and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (yellow ochre, raw umber, ivory black, titanium white, burnt umber)
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette of oil paints to capture the muted tones of the original painting.

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