apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Expulsion
The Expulsion by Alexander Bogen

plate no. 5651

The Expulsion

Alexander Bogen, 1949

oilExpressionismportraitfigureportraitmotherchildreligiousdark
some experience helpful

Recreating this painting will help students practice simplifying complex forms into basic shapes and using expressive brushstrokes to convey emotion. It also provides an opportunity to explore limited color palettes and value contrast.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures using a soft pencil or charcoal.

  2. step 02

    Block in the background with a thin layer of greyish-blue paint.

  3. step 03

    Establish the main areas of light and shadow on the figures using a limited palette of ochre, brown, and white.

  4. step 04

    Add darker tones to define the figures in the foreground and background.

  5. step 05

    Introduce secondary colors like green and red in the clothing and details.

  6. step 06

    Refine the facial features and hands, paying attention to the expressive qualities.

  7. step 07

    Use visible brushstrokes to add texture and movement to the painting.

  8. step 08

    Add final highlights and shadows to enhance the contrast and depth.

color palette

primary · ochre · burnt umber · titanium white

secondary · viridian green · cadmium red

Mix ochre and white for the skin tones, add burnt umber for shadows. Use viridian green and burnt umber to create muted greens. Mix cadmium red with burnt umber to create dark reds.

techniques

  • ·blocking in
  • ·expressive brushstrokes
  • ·limited palette
  • ·value contrast
  • ·simplifying forms

common pitfalls

  • →overworking the details
  • →getting the proportions wrong
  • →using too many colors
  • →not establishing a clear value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·cadmium red oil paint
  • ·#8 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium
  • ·rags

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor