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Versailles by Henri Martin

plate no. 7368

Versailles

Henri Martin

oil, canvasPost-Impressionismcityscapetreesparkfountainstatuespathlandscape
some experience helpful

Recreating this painting will help students develop skills in pointillism and color mixing to create the illusion of light and texture. It also provides practice in creating depth through atmospheric perspective and linear perspective.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the tree-lined path and the placement of the fountain and statues.

  2. step 02

    Establish the main color blocks for the sky, trees, ground, and fountain.

  3. step 03

    Begin applying small, distinct dots of color to build up the foliage, using variations of green, yellow, and blue.

  4. step 04

    Work on the tree trunks, using darker browns and purples to create depth and shadow.

  5. step 05

    Paint the fountain and surrounding water, paying attention to the reflections and highlights.

  6. step 06

    Add details to the statues, using subtle variations in tone to create form.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed to create a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · sap green · yellow ochre · ultramarine blue · burnt umber

secondary · cadmium yellow · alizarin crimson · violet

Mix greens by combining blues and yellows, and create variations by adding white or burnt umber. Achieve the violet hues in the foreground by mixing red and blue, and adjust the intensity with white or yellow.

techniques

  • ·pointillism
  • ·color mixing
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Creating uniform dots of color, lacking variation and texture.
  • →Ignoring the effects of light and shadow, resulting in a flat composition.
  • →Losing the overall composition in the details.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (sap green, yellow ochre, ultramarine blue, burnt umber, cadmium yellow, alizarin crimson, titanium white)
  • ·round brushes (sizes 2, 4, 6)
  • ·palette knife
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

Use high-quality oil paints for best results. Pre-toned canvas with a light wash of burnt umber can help to unify the colors.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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