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home·artworks·The Ember (Italian Immigrant)
The Ember (Italian Immigrant) by Leon Underwood

plate no. 2142

The Ember (Italian Immigrant)

Leon Underwood, 1926

oilExpressionismportraitfigureportraitdraperyseatedelderlyhands

study guide

est. 12 hrs

approach — 7 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the overall composition.

  2. step 02

    Establish the main light source and map out the areas of light and shadow with a thin wash of burnt umber.

  3. step 03

    Begin layering in the base colors for the skin, drapery, and background, focusing on the overall color harmony.

  4. step 04

    Develop the form of the figure by adding highlights and shadows, blending the edges to create smooth transitions.

  5. step 05

    Refine the details of the face, hands, and drapery, paying attention to the subtle variations in color and texture.

  6. step 06

    Add final touches and highlights to enhance the sense of depth and realism.

  7. step 07

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre

Mix burnt umber and raw sienna with white for the skin tones, varying the proportions to create highlights and shadows. Add touches of cadmium red for warmth and ultramarine blue to darken shadows.

techniques

  • ·underpainting
  • ·layering
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the subtle variations in color and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use a medium-grit canvas for optimal texture. Consider using a limited palette to simplify the color mixing process.

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