
plate no. 0367
Horia Bernea, 1964
This painting provides practice in simplifying complex forms into basic shapes and using visible brushstrokes to create texture and depth. Students will learn to mix colors to create a harmonious, yet slightly muted, palette.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the buildings and sky, focusing on proportions and composition.
Block in the large areas of color, starting with the sky and then the main building masses.
Add the darker values to define the shadows and create depth.
Introduce secondary colors and highlights to add interest and variation.
Refine the details of the windows, roofs, and other architectural elements.
Use short, visible brushstrokes to build up texture and create a sense of movement.
Add final touches and adjust colors as needed to achieve a cohesive look.
Step back and assess the overall balance and harmony of the painting.
color palette
primary · yellow ochre · ultramarine blue · titanium white
secondary · burnt sienna · cadmium red light · raw umber
Mix yellow ochre and white for the building's main color. Use ultramarine blue and white for the sky, adding touches of raw umber to darken. Burnt sienna and cadmium red light create the roof color.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a limited palette to simplify color mixing. Consider using a textured canvas to enhance the brushwork.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor