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home·artworks·The daughter of Sormani
The daughter of Sormani by Jan Sluyters

plate no. 3605

The daughter of Sormani

Jan Sluyters, 1917

oilExpressionismportraitportraitfiguregirldressbowhands
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and expression, as well as understanding how to use a limited color palette to create depth and form. Students will also learn how to create texture and visual interest through expressive brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the proportions and placement of the figure.

  2. step 02

    Block in the main areas of color, starting with the background and then moving to the figure's dress and skin tones.

  3. step 03

    Begin to refine the facial features, paying close attention to the eyes and mouth to capture the expression.

  4. step 04

    Add details to the dress, including the folds and shadows, using a variety of brushstrokes to create texture.

  5. step 05

    Work on the hair and bow, using short, broken strokes to suggest individual strands.

  6. step 06

    Develop the background with loose, expressive strokes, creating a sense of depth and atmosphere.

  7. step 07

    Refine the hands, paying attention to the subtle variations in tone and texture.

  8. step 08

    Add final highlights and shadows to enhance the form and create visual interest.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · raw sienna · alizarin crimson

Mix ultramarine blue and burnt umber to create the dark tones of the dress and background. Use titanium white to lighten these colors and create highlights. Add small amounts of raw sienna and alizarin crimson to warm up the skin tones.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·color layering
  • ·expressive brushwork
  • ·portraiture

common pitfalls

  • →Overworking the details, which can lead to a stiff and unnatural look.
  • →Failing to capture the likeness of the subject.
  • →Using too much color, which can detract from the overall mood and atmosphere.
  • →Ignoring the importance of value contrast, which can flatten the image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·raw sienna oil paint
  • ·alizarin crimson oil paint
  • ·assorted brushes (round and flat)
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·easel

A medium-sized canvas (e.g., 16x20 inches) is recommended for this project. Use high-quality oil paints for best results.

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oil painting for beginners →how to learn by studying the masters →
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