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home·artworks·The Column II
The Column II by Horia Bernea

plate no. 6510

The Column II

Horia Bernea

oilExpressionismlandscapecolumnarchitecturegardenfiguresfoliageinterior
some experience helpful

This painting provides practice in creating depth through layering and atmospheric perspective. Students will also learn to suggest details rather than rendering them precisely, focusing on overall impression.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the column's placement and the surrounding architectural elements.

  2. step 02

    Establish the background color with a thin wash of green and brown hues.

  3. step 03

    Block in the main areas of color: the column, foliage, and architectural frame.

  4. step 04

    Begin layering colors, adding depth and texture to the foliage and architectural details.

  5. step 05

    Define the column with highlights and shadows, creating a sense of volume.

  6. step 06

    Add the figures and other small details, keeping them simple and suggestive.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed.

  8. step 08

    Add final touches of texture and detail with dry brush techniques.

color palette

primary · sap green · raw umber · titanium white

secondary · burnt sienna · cadmium red light · yellow ochre

Mix greens by combining sap green, raw umber, and white. Use burnt sienna and cadmium red for warmer tones. Achieve lighter tones by adding titanium white to the base colors.

techniques

  • ·dry brush
  • ·layering
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking details and losing the overall impression.
  • →Creating too much contrast, resulting in a harsh or unnatural look.
  • →Failing to establish a clear sense of depth and perspective.
  • →Using colors straight from the tube without mixing, resulting in a flat and uninteresting palette.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·acrylic or oil paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-textured canvas to enhance the brushwork. Acrylics will dry faster, while oils allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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