apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Column
The Column by Horia Bernea

plate no. 4411

The Column

Horia Bernea, 1999

oilExpressionismlandscapecolumnarchitectureinteriordecorative patternsfrescoancient
experienced study

Students would develop layering techniques and pattern work while learning to balance warm earth tones with cooler accents in architectural subjects.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Start with a light pencil sketch of the architectural framework and column placement

  2. step 02

    Block in the major warm undertones using burnt sienna and raw umber washes

  3. step 03

    Establish the column as the central light element using titanium white and pale ochre

  4. step 04

    Build up the decorative patterns in the surrounding walls using small brush strokes

  5. step 05

    Layer cooler blue-gray tones in the upper ceiling area for contrast

  6. step 06

    Add texture and detail work to the ornamental elements and surfaces

  7. step 07

    Refine the column's form and add subtle shadows

  8. step 08

    Final touches on pattern details and surface textures

color palette

primary · burnt sienna · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · cadmium red · raw sienna · payne's gray

Mix warm earth tones with small amounts of red for richness, use white sparingly to maintain color intensity, blend blue-grays for cooler ceiling areas

techniques

  • ·layered glazing
  • ·pattern work with small brushes
  • ·texture building
  • ·warm-cool color temperature contrast
  • ·architectural perspective

common pitfalls

  • →overworking the decorative patterns
  • →making the column too stark white
  • →losing the warm overall harmony
  • →rushing the layering process

materials

surface · stretched canvas or canvas board

required

  • ·#2, #6, #10 flat brushes
  • ·#1, #4 round detail brushes
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·canvas 16x20
  • ·palette knife

optional

  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·painting medium
  • ·#000 liner brush

Use quality brushes for the detailed pattern work, consider using a medium for smoother blending of the layered areas

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor