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home·artworks·The Church of St. Mary in Bonn in Snow
The Church of St. Mary in Bonn in Snow by August Macke

plate no. 4029

The Church of St. Mary in Bonn in Snow

August Macke, 1911

oil, canvasExpressionismcityscapecityscapebuildingssnowchurchrooftopschimneys
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into geometric forms and understanding color temperature variations in shadows and highlights, especially in snow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 7 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the horizon line, focusing on their relative sizes and positions.

  2. step 02

    Block in the large areas of color for the buildings, sky, and snow, using simplified, flat tones.

  3. step 03

    Add darker tones to define shadows and create depth on the buildings and rooftops.

  4. step 04

    Introduce subtle color variations within the snow to indicate reflected light and shadows.

  5. step 05

    Paint the details of the chimneys, windows, and other architectural elements with simple shapes.

  6. step 06

    Add the bare trees and fence in the foreground with thin, dark lines.

  7. step 07

    Refine the edges of the shapes and adjust the colors as needed to match the original painting's mood.

color palette

primary · titanium white · raw umber · cadmium yellow · ultramarine blue

secondary · burnt sienna · sap green · ivory black

Mix white with small amounts of blue and umber for the sky and snow shadows. Use yellow and umber for the building tones, adding sienna for warmth and blue for coolness.

techniques

  • ·blocking in
  • ·color mixing
  • ·simplified shapes
  • ·scumbling
  • ·layering

common pitfalls

  • →Overcomplicating the shapes of the buildings.
  • →Using too much detail in the snow.
  • →Not paying attention to the color temperature of the shadows.
  • →Making the colors too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to allow for visible brushstrokes. Acrylics are faster drying, while oils allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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