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home·artworks·The Carmagnole (Dance Around the Guillotine)
The Carmagnole (Dance Around the Guillotine) by Kathe Kollwitz

plate no. 3285

The Carmagnole (Dance Around the Guillotine)

Kathe Kollwitz, 1901

oilExpressionismgenre paintingfiguresbuildingscrowdstreetdrummerdance
experienced study

Recreating this painting will help students develop skills in rendering complex scenes with limited color palettes and creating dynamic compositions with many figures. It will also improve their understanding of value and texture using hatching and cross-hatching techniques.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of the buildings and figures.

  2. step 02

    Focus on the main shapes and proportions of the buildings and figures, simplifying the details.

  3. step 03

    Start adding darker values to define the shadows and create depth in the buildings and figures.

  4. step 04

    Use hatching and cross-hatching techniques to build up the values and create texture.

  5. step 05

    Pay attention to the direction of the lines to convey form and movement.

  6. step 06

    Gradually add more detail to the figures and buildings, focusing on the key features.

  7. step 07

    Refine the values and textures to create a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · black · white · sepia

secondary · gray

Achieve variations in tone by diluting black or sepia with white or water, or by layering different values of gray.

techniques

  • ·hatching
  • ·cross-hatching
  • ·dry brushing
  • ·value layering
  • ·scumbling

common pitfalls

  • →Getting lost in the details too early.
  • →Creating flat, lifeless values.
  • →Ignoring the direction of light and shadow.
  • →Overworking the painting and losing the spontaneity.

materials

surface · Smooth drawing paper or primed canvas

required

  • ·Graphite pencils (HB, 2B, 4B)
  • ·Eraser
  • ·Drawing paper or canvas
  • ·Black ink or paint
  • ·Fine liner brush
  • ·Ruler

optional

  • ·Palette knife
  • ·Blending stump
  • ·Charcoal pencils

Use high-quality materials for best results. Experiment with different types of paper or canvas to find what works best for you.

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