apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Bouvier
The Bouvier by Roger de La Fresnaye

plate no. 0177

The Bouvier

Roger de La Fresnaye

oilExpressionismgenre paintingfiguremountainsbuildinganimallandscapetrees
some experience helpful

Recreating this painting will help students practice portraiture with stylized features and learn to simplify complex forms into basic shapes. It also provides experience in mixing skin tones and creating a sense of depth through layering.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, building, mountains, and animal.

  2. step 02

    Block in the main color areas for the sky, mountains, building, figure's skin, and clothing.

  3. step 03

    Add the darker values to define the shadows and contours of the face and body.

  4. step 04

    Refine the details of the facial features, paying attention to the stylized shapes.

  5. step 05

    Add the details of the building and the surrounding landscape.

  6. step 06

    Paint the animal, focusing on its form and texture.

  7. step 07

    Blend the edges of the color areas to create a smooth transition.

  8. step 08

    Add final highlights and details to enhance the overall composition.

color palette

primary · burnt sienna · titanium white · ultramarine blue

secondary · yellow ochre · raw umber · cadmium red light

Mix skin tones using burnt sienna, titanium white, and a touch of cadmium red light. Create the mountain colors by mixing ultramarine blue, titanium white, and a touch of burnt sienna.

techniques

  • ·blocking in
  • ·blending
  • ·layering
  • ·color mixing
  • ·stylized portraiture

common pitfalls

  • →Overworking the details and losing the simplified forms.
  • →Struggling with accurate proportions of the figure.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the stylized features of the portrait.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-sized canvas to allow for sufficient detail in the figure and background. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor