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home·artworks·The Blue Lamp
The Blue Lamp by John Duncan Fergusson

plate no. 0875

The Blue Lamp

John Duncan Fergusson, 1920

oilFauvismstill lifestill lifefruitflowerstablelampvessel
some experience helpful

Recreating this painting will help students develop skills in simplifying complex forms and using bold, expressive brushstrokes to capture light and shadow. It's also a good exercise in color mixing and understanding how colors interact with each other.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the still life, focusing on the placement of the fruit bowl, lamp, and other objects.

  2. step 02

    Block in the large areas of color, starting with the background and tablecloth. Don't worry about details at this stage.

  3. step 03

    Mix the colors for the fruit, flowers, and lamp, paying attention to the variations in hue and value.

  4. step 04

    Apply the paint with bold, visible brushstrokes, following the direction of the forms.

  5. step 05

    Add highlights and shadows to create depth and dimension.

  6. step 06

    Refine the details, such as the patterns on the tablecloth and the shapes of the flowers.

  7. step 07

    Step back and assess the painting, making any necessary adjustments to the composition, color, or value.

  8. step 08

    Let the painting dry completely.

color palette

primary · ultramarine blue · cadmium yellow · alizarin crimson

secondary · titanium white · viridian green · yellow ochre

Mix various shades of blue by combining ultramarine with white, crimson, or a touch of yellow. Achieve the orange hues by blending cadmium yellow and alizarin crimson. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·impasto
  • ·color mixing
  • ·expressive brushwork
  • ·simplification of form

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details too early.
  • →Not paying attention to the relationships between colors.
  • →Creating mud by over-mixing colors on the palette.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ultramarine blue oil paint
  • ·cadmium yellow oil paint
  • ·alizarin crimson oil paint
  • ·titanium white oil paint
  • ·assorted brushes (flat and round)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use good quality oil paints for best results. A medium-sized canvas is recommended for beginners.

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related guides

oil painting for beginners →how to learn by studying the masters →
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