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home·artworks·The Birth of the Virgin
The Birth of the Virgin by Giovanni da Milano

plate no. 2563

The Birth of the Virgin

Giovanni da Milano, 1370

frescoProto Renaissancereligious paintingfiguresreligious sceneinteriorarchitecturebabybed
some experience helpful

Recreating this painting will help students understand how to depict figures in a believable space and how to create subtle color variations to suggest form and light.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and architectural elements, paying attention to proportions and placement.

  2. step 02

    Block in the main color areas for the background, figures, and drapery using thin washes.

  3. step 03

    Begin to build up the form of the figures by adding layers of color and shading, focusing on the light source.

  4. step 04

    Refine the details of the faces, hands, and clothing, adding subtle highlights and shadows.

  5. step 05

    Add the architectural details and patterns, paying attention to perspective.

  6. step 06

    Mix and apply the colors for the bed and other objects in the scene.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin washes to unify the colors and create a soft, luminous effect.

color palette

primary · yellow ochre · raw sienna · ivory black

secondary · red ochre · ultramarine blue · titanium white

Mix white with small amounts of yellow ochre and raw sienna to create the light skin tones. Use ultramarine blue and ivory black to create muted blues and grays for the drapery.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·layering
  • ·grisaille

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle variations in value and color.
  • →Not paying attention to the proportions of the figures.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water
  • ·Linseed oil or acrylic medium

optional

  • ·Retarder medium
  • ·Varnish
  • ·Easel

Use high-quality paints for best results. A smooth canvas surface will make blending easier.

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