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home·artworks·St. Michael
St. Michael by Luca di Tommé

plate no. 0239

St. Michael

Luca di Tommé

temperaProto Renaissancereligious paintingangelfigurehalogoldreligiousarch
some experience helpful

Recreating this painting will help students develop skills in portraiture, layering colors to create depth, and rendering textures like fabric and gold. It also provides practice in replicating a classical, stylized composition.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and architectural elements.

  2. step 02

    Block in the main areas of color: skin tones, clothing, background.

  3. step 03

    Begin layering colors to build up depth and form in the face and hands.

  4. step 04

    Add details to the clothing, including the patterns and textures.

  5. step 05

    Paint the wings and halo, paying attention to the subtle variations in color.

  6. step 06

    Refine the background and architectural details.

  7. step 07

    Add final highlights and shadows to enhance the three-dimensionality of the figure.

  8. step 08

    Glaze the painting with thin layers of color to unify the overall tone.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red light · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Create gold tones by layering yellow ochre, burnt umber, and a touch of white. Mix blues with white for lighter shades and burnt umber for darker shades.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·blending

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Getting the proportions of the figure wrong.
  • →Applying paint too thickly.
  • →Losing the subtle variations in color.
  • →Not paying enough attention to the details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·yellow ochre acrylic paint
  • ·ultramarine blue acrylic paint
  • ·burnt umber acrylic paint
  • ·titanium white acrylic paint
  • ·round brushes sizes 2, 4, 6
  • ·flat brush size 1/2 inch

optional

  • ·palette knife
  • ·retarder medium
  • ·glazing medium

Use high-quality acrylic paints for best results. Apply multiple thin layers of paint rather than one thick layer.

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