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home·artworks·Polyptych with Madonna and Saints
Polyptych with Madonna and Saints by Giovanni da Milano

plate no. 8164

Polyptych with Madonna and Saints

Giovanni da Milano, 1355

oilProto Renaissancereligious paintingfiguresreligiousgoldarchitectureMadonnachild
advanced study

Recreating this painting would develop skills in figure drawing, rendering drapery, and using gold leaf or paint to create a sense of richness and detail. It would also improve understanding of hierarchical composition and symbolic representation.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
1

study guide

est. 40 hrs

approach — 7 steps

  1. step 01

    Create a detailed sketch of the overall composition, paying attention to the placement and proportions of the figures and architectural elements.

  2. step 02

    Underpaint the figures and drapery with thin washes of color, establishing the basic values and forms.

  3. step 03

    Begin layering colors to build up the depth and richness of the drapery, using subtle gradations and highlights.

  4. step 04

    Carefully render the faces and hands of the figures, paying attention to detail and expression.

  5. step 05

    Apply gold leaf or paint to the architectural elements and halos, creating a sense of luminosity and grandeur.

  6. step 06

    Paint the smaller narrative scenes in the lower registers, focusing on clear storytelling and expressive gestures.

  7. step 07

    Add final details and refinements to the overall composition, ensuring a cohesive and harmonious effect.

color palette

primary · ultramarine blue · red ochre · gold · ivory black

secondary · raw sienna · burnt umber · vermilion

Mix various shades of blue by combining ultramarine with ivory black and white. Achieve the flesh tones by mixing red ochre, white, and a touch of burnt umber. Create a gold effect using metallic gold paint or by layering yellows and browns.

techniques

  • ·egg tempera technique
  • ·gilding
  • ·modeling with light and shadow
  • ·linear perspective

common pitfalls

  • →Getting the proportions of the figures wrong
  • →Overworking the details
  • →Using colors that are too bright or saturated
  • →Failing to create a sense of depth and space

materials

surface · gessoed panel

required

  • ·gessoed panel
  • ·egg tempera paints
  • ·gold leaf or gold paint
  • ·fine brushes
  • ·palette
  • ·water
  • ·soft cloths

optional

  • ·palette knife
  • ·varnish
  • ·tracing paper

Egg tempera paints can be made from scratch or purchased pre-made. Gold leaf requires special adhesive and tools for application.

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oil painting for beginners →how to learn by studying the masters →
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