apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Big Column
The Big Column by Horia Bernea

plate no. 4312

The Big Column

Horia Bernea

oilExpressionismlandscapecolumninteriorarchitecturefloralstepsbalcony
experienced study

Recreating this painting will help students develop skills in layering colors, creating textures with visible brushstrokes, and understanding complex spatial relationships within an interior scene. It also encourages experimentation with color mixing to achieve nuanced tones.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and perspective lines of the interior space, focusing on the column's placement.

  2. step 02

    Block in the large areas of color, such as the walls, floor, and ceiling, using thin washes.

  3. step 03

    Begin layering colors to build depth and create the textured surfaces, paying attention to the light source.

  4. step 04

    Add details like the floral patterns on the wallpaper and the geometric patterns on the floor.

  5. step 05

    Define the column with highlights and shadows to give it form.

  6. step 06

    Refine the edges and details, using small brushstrokes to create texture.

  7. step 07

    Add final touches and highlights to enhance the overall composition.

  8. step 08

    Step back and assess the painting, making any necessary adjustments.

color palette

primary · red · pink · green · beige

secondary · blue · white · brown

Achieve the various shades of pink and red by mixing red with white and small amounts of brown or yellow. Create the muted greens by mixing green with brown and white.

techniques

  • ·dry brush texture
  • ·layering
  • ·scumbling
  • ·broken color
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Failing to establish a strong sense of perspective.
  • →Using colors that are too saturated and not harmonious.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-textured canvas to allow for better adhesion of the paint and to enhance the textured effect. Consider using a limited palette to simplify color mixing and achieve a more harmonious result.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor