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home·artworks·The Bicycle Interior
The Bicycle Interior by John Bratby

plate no. 0769

The Bicycle Interior

John Bratby, 1958

oilExpressionisminteriorbicycleinteriortablechairnewspapercart
experienced study

Recreating this painting will help students develop skills in expressive brushwork and understanding how to represent complex forms with simplified shapes and values. It also encourages observation of light and shadow in a cluttered scene.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the main objects (bicycle, cart, table, chair).

  2. step 02

    Establish the overall value structure by blocking in the darkest and lightest areas with thin washes.

  3. step 03

    Begin building up layers of paint, focusing on capturing the direction and texture of the brushstrokes.

  4. step 04

    Mix local colors and apply them with bold, visible strokes, paying attention to how colors interact.

  5. step 05

    Use thicker paint and impasto to create highlights and add dimension to the forms.

  6. step 06

    Refine the edges of the objects, allowing some areas to blend and others to remain sharp.

  7. step 07

    Add details such as the newspaper text and bicycle components with smaller brushes.

  8. step 08

    Step back and assess the overall balance of the painting, making final adjustments to values and colors.

color palette

primary · yellow ochre · ultramarine blue · raw umber · titanium white

secondary · cadmium yellow · ivory black · burnt sienna

Mix various shades of gray and brown by combining the primary colors. Use white to lighten the colors and create highlights. Mix greens by combining blue and yellow.

techniques

  • ·impasto
  • ·broken color
  • ·expressive brushwork
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details too early in the process.
  • →Failing to establish a strong value structure.
  • →Not varying the thickness and direction of the paint application.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify color mixing.

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