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home·artworks·Ternura
Ternura by Oswaldo Guayasamin

plate no. 8786

Ternura

Oswaldo Guayasamin, 1989

oilExpressionismgenre paintingfiguresportraithandsfacesembrace
some experience helpful

Recreating this painting will help students develop skills in simplifying complex forms into geometric shapes and understanding how to use a limited color palette to create depth and emotion. It also provides practice in capturing expressive gestures and facial expressions.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figures, focusing on the overall composition.

  2. step 02

    Block in the large areas of color, starting with the background and then the figures.

  3. step 03

    Gradually build up the values and details in the figures, paying attention to the light and shadow.

  4. step 04

    Define the facial features and hands, using darker tones to create depth and dimension.

  5. step 05

    Add the linear details and outlines to emphasize the forms and create visual interest.

  6. step 06

    Refine the edges and blend the colors as needed to create a cohesive and expressive image.

  7. step 07

    Add final highlights and shadows to enhance the contrast and create a sense of depth.

  8. step 08

    Step back and assess the overall composition and make any necessary adjustments.

color palette

primary · yellow ochre · ultramarine blue · burnt umber

secondary · black · raw sienna

Mix yellow ochre with burnt umber to create the various skin tones. Use ultramarine blue and black for the background, adjusting the ratio for different shades. Add small amounts of raw sienna to warm up the yellow ochre.

techniques

  • ·blocking in
  • ·dry brushing
  • ·scumbling
  • ·limited palette
  • ·simplification

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Failing to simplify the forms and creating a cluttered composition.
  • →Using too many colors and creating a muddy or incoherent palette.
  • →Ignoring the importance of light and shadow in creating depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·yellow ochre paint
  • ·ultramarine blue paint
  • ·burnt umber paint
  • ·black paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a canvas with a medium texture to enhance the brushstrokes. Acrylics are faster drying, while oils allow for more blending time.

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