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home·artworks·Teacher Stelian Cucu, King Ferdinand High School, Ramnicul Sarat
Teacher  Stelian Cucu, King Ferdinand High School, Ramnicul Sarat by George Stefanescu

plate no. 7242

Teacher Stelian Cucu, King Ferdinand High School, Ramnicul Sarat

George Stefanescu, 1969

oil, cardboardExpressionismportraitportraitfiguremanfaceclothingexpressionism
some experience helpful

This painting provides an opportunity to practice expressive brushstrokes and capturing a likeness with limited color. Students can learn to simplify forms and focus on essential details to create a dynamic portrait.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions and pose of the figure using charcoal or a diluted wash of brown paint.

  2. step 02

    Establish the background color with a thin wash of beige or cream, leaving some areas untouched for texture.

  3. step 03

    Block in the main areas of the face and clothing with broad strokes of color, focusing on value rather than detail.

  4. step 04

    Refine the facial features, paying attention to the shapes of the eyes, nose, and mouth.

  5. step 05

    Add darker tones to define shadows and create depth in the face and clothing.

  6. step 06

    Use white paint to highlight areas of light on the face, shoulders, and background.

  7. step 07

    Add expressive linework with a fine brush and dark brown or black paint to define edges and details.

  8. step 08

    Review and adjust the painting, adding final touches to enhance the overall expression and mood.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · cadmium red light · ivory black

Mix raw umber and white for the skin tones. Use burnt sienna and a touch of red for warmer areas. Add black to umber for shadows.

techniques

  • ·expressive brushstrokes
  • ·limited palette
  • ·alla prima
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →overworking the details
  • →getting bogged down in realism
  • →not capturing the likeness
  • →muddying the colors

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a slightly textured surface to enhance the expressive brushstrokes.

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