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home·artworks·Tassiusak, Greenland
Tassiusak, Greenland by Rockwell Kent

plate no. 7993

Tassiusak, Greenland

Rockwell Kent, 1933

oilAmerican Realismlandscapelandscapefiguresmountainswaterskybuildings
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve muted tones and layering to create depth in the landscape. It also offers practice in depicting reflections and simplified figures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line, mountain ranges, and the placement of figures and buildings.

  2. step 02

    Block in the sky with light blues and grays, blending softly to create a subtle gradient.

  3. step 03

    Establish the mountain ranges using muted browns and purples, varying the values to suggest depth and form.

  4. step 04

    Paint the water with dark blues and greens, adding reflections of the rocks and figures.

  5. step 05

    Define the rock formations in the foreground with shades of purple, brown, and ochre, paying attention to light and shadow.

  6. step 06

    Add the figures, simplifying their forms and using a limited palette of blues, whites, and grays.

  7. step 07

    Paint the small buildings and details in the distance, keeping them simple and muted.

  8. step 08

    Refine the details and add highlights to create a sense of realism.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium red light

Mix blues and browns with white to create the muted tones of the sky and mountains. Use yellow ochre and red to add warmth to the rocks and buildings. Create reflections by mixing the colors of the objects with the dark blue of the water.

techniques

  • ·layering
  • ·color mixing
  • ·blending
  • ·simplified figure painting
  • ·reflection techniques

common pitfalls

  • →Overworking the details, losing the simplicity of the original painting.
  • →Using colors that are too bright or saturated, failing to achieve the muted tones.
  • →Incorrectly depicting the reflections, making them appear unnatural.
  • →Failing to establish a clear sense of depth and perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a canvas with a fine weave to allow for smooth blending. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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