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Taju by Sallinen Tyko

plate no. 5440

Taju

Sallinen Tyko, 1923

oilExpressionismportraitportraitfigurechairpersonclothing
some experience helpful

Recreating this painting will help students develop skills in color mixing, capturing likeness, and using expressive brushstrokes to define form. It also provides practice in simplifying complex shapes and focusing on essential details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and chair.

  2. step 02

    Block in the large areas of color for the background, skin tones, clothing, and chair, focusing on value and temperature.

  3. step 03

    Refine the shapes and values of the face, paying close attention to the light and shadow patterns.

  4. step 04

    Add details to the hair and clothing, using thicker paint and more visible brushstrokes.

  5. step 05

    Develop the background with expressive brushstrokes, varying the color and value to create depth.

  6. step 06

    Refine the details of the chair, using a combination of thin and thick paint.

  7. step 07

    Add final highlights and shadows to create a sense of form and dimension.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to the composition, color, or value.

color palette

primary · ultramarine blue · yellow ochre · burnt umber

secondary · alizarin crimson · titanium white

Mix blues and browns for shadows in the clothing and background. Use yellow ochre and white with small amounts of red and blue to create skin tones. Adjust the proportions to achieve the desired color temperature.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color temperature
  • ·expressive brushwork

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Getting lost in details too early in the process.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the importance of value contrast.
  • →Using brushstrokes that are too uniform and lack variety.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·apron

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette of colors to simplify the mixing process.

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oil painting for beginners →how to learn by studying the masters →
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