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home·artworks·Sunny Day
Sunny Day by Emile Claus

plate no. 0863

Sunny Day

Emile Claus, 1899

oilLuminismgenre paintingfigurelaundrybasketclothingdomesticoutdoor
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in light and shadow, as well as practice layering brushstrokes to create texture and depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and major objects.

  2. step 02

    Establish the background with loose, blended brushstrokes, using greens, yellows, and blues to suggest foliage and light.

  3. step 03

    Block in the main figure's skin tones with a base layer of warm colors, gradually adding highlights and shadows.

  4. step 04

    Paint the clothing with short, broken brushstrokes, using a mix of colors to create texture and form.

  5. step 05

    Add details to the laundry and baskets, paying attention to the play of light and shadow on the white fabric.

  6. step 06

    Refine the background and foreground, adding small details to create depth and interest.

  7. step 07

    Adjust the overall color balance and value contrast to create a harmonious composition.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · titanium white · yellow ochre · burnt umber · cerulean blue

secondary · sap green · cadmium yellow · alizarin crimson

Achieve the subtle skin tones by mixing yellow ochre, burnt umber, and titanium white, with small amounts of alizarin crimson for warmth. Mix greens by combining cerulean blue and cadmium yellow with varying amounts of white.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·impasto

common pitfalls

  • →overworking the details
  • →using too much pure white
  • →creating muddy colors
  • →ignoring the subtle color variations

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cerulean blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-textured canvas to allow for better brushstroke visibility. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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