apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Sunlit Snow
Sunlit Snow by Alfred Heber Hutty

plate no. 9782

Sunlit Snow

Alfred Heber Hutty

oilRegionalismlandscapesnowtreeswinterlandscapeskyice
some experience helpful

This painting is great for practicing atmospheric perspective and creating a sense of depth using subtle color variations. Students can learn to simplify complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the horizon line and placement of the main tree.

  2. step 02

    Block in the sky with a light blue-gray wash, allowing for some variation.

  3. step 03

    Establish the dark masses of the distant trees, using a mix of browns and blues.

  4. step 04

    Add the snow-covered ground, varying the white with hints of blue, gray, and pink to suggest shadows and texture.

  5. step 05

    Paint the main tree, paying attention to the delicate branches and their relationship to the background.

  6. step 06

    Add the reflections in the ice patches, using slightly darker and more saturated versions of the surrounding colors.

  7. step 07

    Refine the details, such as the texture of the snow and the individual branches of the trees.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and light.

color palette

primary · titanium white · ultramarine blue · burnt umber

secondary · raw sienna · alizarin crimson · ivory black

Achieve the subtle grays and blues by mixing white with small amounts of blue and umber. Use raw sienna and alizarin crimson to create warm browns for the trees.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing
  • ·layering

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Using too much pure white, which can flatten the snow.
  • →Ignoring the subtle color variations in the snow and sky.
  • →Failing to establish a clear focal point.
  • →Making the tree branches too uniform and symmetrical.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas for a slightly textured effect. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Pipe and Bowl sign Painter

Pipe and Bowl sign Painter

Norman Rockwell

Spring Plowing

Spring Plowing

Grant Wood

The Sources of Country Music

The Sources of Country Music

Thomas Hart Benton

Cradling Wheat

Cradling Wheat

Thomas Hart Benton

Trail Riders

Trail Riders

Thomas Hart Benton

The Hunter

The Hunter

Andrew Wyeth

Pont Marie

Pont Marie

Grace Albee

New England Editor

New England Editor

Thomas Hart Benton