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The Hunter by Andrew Wyeth

plate no. 5759

The Hunter

Andrew Wyeth

oilRegionalismlandscapetreeslandscapefigureleavesfieldhunter
some experience helpful

Recreating this painting will help students develop skills in rendering complex textures, particularly the bark of the sycamore tree, and in creating depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the tree and the figure.

  2. step 02

    Establish the background landscape with broad washes of color.

  3. step 03

    Begin layering the dark and light areas of the tree trunk, paying attention to the patterns of the bark.

  4. step 04

    Add the branches, varying their thickness and direction.

  5. step 05

    Paint the leaves, focusing on their shapes and the way they catch the light.

  6. step 06

    Develop the foreground foliage with layers of greens and browns.

  7. step 07

    Add the figure of the hunter, paying attention to the details of his clothing and equipment.

  8. step 08

    Refine the details and add final touches to create a sense of depth and atmosphere.

color palette

primary · titanium white · raw umber · burnt sienna · yellow ochre

secondary · sap green · cadmium red · ultramarine blue

Achieve the bark's mottled appearance by layering thin washes of raw umber and white. Mix greens by combining yellow ochre and ultramarine blue, adjusting the ratio for different shades.

techniques

  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·atmospheric perspective
  • ·glazing

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Failing to create sufficient contrast between the light and dark areas.
  • →Making the colors too saturated and unnatural.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to create a harmonious color scheme.

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oil painting for beginners →how to learn by studying the masters →
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