
plate no. 9686
Thomas Hart Benton, 1965
Recreating this painting will help students develop skills in layering colors to create depth and modeling forms with light and shadow. It also provides practice in depicting atmospheric perspective and creating a sense of vastness.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the mountains, lake, and foreground elements.
Establish the horizon line and the main shapes of the mountains with light washes of color.
Begin layering darker tones to define the shadows and contours of the mountains.
Paint the sky with soft, blended colors, creating a sense of depth and atmosphere.
Add the details of the trees and foliage, varying the greens and textures to create visual interest.
Paint the lake with reflections of the sky and surrounding landscape.
Add the figures and animals in the foreground, paying attention to their proportions and placement.
Refine the details and highlights throughout the painting, creating a sense of realism and depth.
color palette
primary · ultramarine blue · burnt umber · titanium white · sap green
secondary · yellow ochre · cadmium red · raw sienna
Mix various shades of green by combining sap green with yellow ochre and burnt umber. Achieve the mountain colors by mixing burnt umber, ultramarine blue, and white, adjusting the proportions for different values.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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