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home·artworks·Trail Riders
Trail Riders by Thomas Hart Benton

plate no. 9686

Trail Riders

Thomas Hart Benton, 1965

oil, canvasRegionalismlandscapemountainslaketreesskyfigureslandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and modeling forms with light and shadow. It also provides practice in depicting atmospheric perspective and creating a sense of vastness.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, lake, and foreground elements.

  2. step 02

    Establish the horizon line and the main shapes of the mountains with light washes of color.

  3. step 03

    Begin layering darker tones to define the shadows and contours of the mountains.

  4. step 04

    Paint the sky with soft, blended colors, creating a sense of depth and atmosphere.

  5. step 05

    Add the details of the trees and foliage, varying the greens and textures to create visual interest.

  6. step 06

    Paint the lake with reflections of the sky and surrounding landscape.

  7. step 07

    Add the figures and animals in the foreground, paying attention to their proportions and placement.

  8. step 08

    Refine the details and highlights throughout the painting, creating a sense of realism and depth.

color palette

primary · ultramarine blue · burnt umber · titanium white · sap green

secondary · yellow ochre · cadmium red · raw sienna

Mix various shades of green by combining sap green with yellow ochre and burnt umber. Achieve the mountain colors by mixing burnt umber, ultramarine blue, and white, adjusting the proportions for different values.

techniques

  • ·layering
  • ·blending
  • ·atmospheric perspective
  • ·modeling with light and shadow
  • ·scumbling

common pitfalls

  • →overworking the details
  • →flattening the perspective
  • →using too much pure color
  • →not establishing a clear light source

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·sap green oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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