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home·artworks·Sunlight in Living Room
Sunlight in Living Room by Carl Holsøe

plate no. 6648

Sunlight in Living Room

Carl Holsøe

oilExpressionisminteriorinteriorfurniturelightshadowsroomvases
some experience helpful

Recreating this painting will help students understand how to depict light and shadow in an interior space and how to create a sense of depth using tonal values. It also provides practice in rendering wooden surfaces and reflective objects.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the furniture and the open doorway.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Begin blocking in the large areas of color, starting with the background walls and floor.

  4. step 04

    Develop the details of the furniture, paying attention to the wood grain and reflections.

  5. step 05

    Add the still life elements on the chest of drawers, focusing on their shapes and highlights.

  6. step 06

    Refine the shadows and highlights to create depth and dimension.

  7. step 07

    Add final details such as the door handle and the objects visible through the doorway.

  8. step 08

    Adjust the overall color balance and value range to match the original painting.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · raw sienna · ivory black · cadmium yellow

Mix various shades of brown by combining burnt umber, yellow ochre, and a touch of black. Use white to create lighter tones and yellow to create highlights. Achieve the warm, glowing light by layering thin washes of yellow ochre and cadmium yellow.

techniques

  • ·layering
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·tonal painting

common pitfalls

  • →Failing to establish a strong light source.
  • →Overworking the details too early in the process.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in tone and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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