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home·artworks·Sun Through the Trees
Sun Through the Trees by Louis Valtat

plate no. 0447

Sun Through the Trees

Louis Valtat, 1909

oil, canvasFauvismlandscapetreeslandscapefoliageskypathwoods
some experience helpful

Recreating this painting will help students develop skills in color mixing, layering, and creating texture with visible brushstrokes. It's a good exercise in understanding how to represent light and shadow through color rather than precise value changes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the trees and the horizon line.

  2. step 02

    Establish the main color blocks for the sky, foliage, and ground using thin washes.

  3. step 03

    Begin layering in the darker greens and oranges to define the shapes of the trees and bushes.

  4. step 04

    Add highlights with lighter yellows and oranges, focusing on areas where the sun is hitting the foliage.

  5. step 05

    Use short, broken brushstrokes to create texture and visual interest in the foliage and ground.

  6. step 06

    Refine the details of the tree trunks and branches, using a smaller brush.

  7. step 07

    Add final touches and adjustments to the colors and values to create a sense of depth and atmosphere.

  8. step 08

    Allow to dry and varnish.

color palette

primary · cadmium orange · viridian green · yellow ochre

secondary · ultramarine blue · burnt sienna · cadmium yellow

Mix greens by combining viridian green and cadmium yellow. Achieve variations in orange by mixing cadmium orange with varying amounts of yellow ochre and burnt sienna. Use ultramarine blue and white to create the sky.

techniques

  • ·broken color
  • ·impasto
  • ·layering
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Creating too much detail, losing the overall impressionistic effect.
  • →Failing to vary the brushstrokes, resulting in a flat, lifeless painting.
  • →Not paying attention to the color temperature of the light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·cadmium orange oil paint
  • ·viridian green oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·cadmium yellow oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·easel

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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