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home·artworks·Summer Afternoon
Summer Afternoon by Rudolf Láng

plate no. 9479

Summer Afternoon

Rudolf Láng, 1957

mixed techniqueExpressionismlandscapetreeslandscapefencefieldskychair
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and layering transparent washes to create depth and texture. It also encourages simplification of forms and capturing the essence of a scene rather than precise detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: trees, fence, and the basic outline of the chair.

  2. step 02

    Apply a light wash of diluted yellow and green for the field area, allowing it to blend and create variations.

  3. step 03

    Add a blue wash for the sky, leaving some areas unpainted for clouds or highlights.

  4. step 04

    Paint the trees using browns and yellows, employing loose, expressive brushstrokes to suggest texture and form.

  5. step 05

    Define the fence with thin, dark lines, adding some green to suggest vegetation growing along it.

  6. step 06

    Paint the chair with light pinks and oranges, using thin lines to define its structure.

  7. step 07

    Add darker greens and blues to the foreground to create depth and contrast.

  8. step 08

    Refine details with small brushstrokes, focusing on capturing the overall mood and atmosphere.

color palette

primary · yellow ochre · ultramarine blue · burnt umber

secondary · sap green · cadmium red · titanium white

Mix greens by combining blue and yellow. Create browns by mixing umber with yellow and red. Dilute colors with water for transparent washes.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering washes
  • ·expressive brushstrokes
  • ·simplification of forms

common pitfalls

  • →Overworking the details and losing the spontaneity of the original.
  • →Using colors straight from the tube without mixing or diluting.
  • →Creating muddy colors by over-mixing.
  • →Not allowing washes to dry before applying subsequent layers.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·flat brush
  • ·water container
  • ·palette

optional

  • ·masking fluid
  • ·palette knife
  • ·spray bottle
  • ·kneaded eraser

Use good quality watercolor paper to prevent buckling. Experiment with different brush sizes and types to achieve various effects.

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