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home·artworks·Sudden Showers, Newbury Marshes
Sudden Showers, Newbury Marshes by Martin Johnson Heade

plate no. 9612

Sudden Showers, Newbury Marshes

Martin Johnson Heade, 1875

oilLuminismlandscapeskycloudsfieldhaystackswatertrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and subtle color blending to create a sense of depth and realism. Students will also learn how to depict the effects of light and weather on a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the horizon line and the placement of the main elements (haystacks, river, trees).

  2. step 02

    Establish the sky with broad washes of color, blending the blues, grays, and whites to create the cloudy effect.

  3. step 03

    Block in the distant landscape and trees using muted greens and browns, focusing on creating a sense of depth through atmospheric perspective.

  4. step 04

    Paint the field with varying shades of green and brown, adding highlights to suggest sunlight and shadows.

  5. step 05

    Add the haystacks, carefully observing their shapes and the way light falls on them. Use a mix of browns, yellows, and oranges.

  6. step 06

    Paint the river, reflecting the colors of the sky and surrounding landscape. Add details like ripples and reflections.

  7. step 07

    Add final details, such as the cattle, ducks, and subtle variations in the grass.

  8. step 08

    Glaze with thin layers to adjust colors and values as needed.

color palette

primary · ultramarine blue · titanium white · burnt umber · yellow ochre

secondary · raw sienna · payne's gray · cadmium yellow light

Achieve the subtle greens by mixing blues and yellows with touches of umber. The atmospheric perspective is created by adding white to colors as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·wet-on-wet blending
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details too early
  • →Using colors that are too saturated
  • →Ignoring the effects of atmospheric perspective
  • →Creating hard edges instead of soft transitions

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Pre-tinting the canvas with a thin wash of burnt umber can help create a warm undertone.

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oil painting for beginners →how to learn by studying the masters →
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