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Study of a Head by Elizabeth Coffin

plate no. 5201

Study of a Head

Elizabeth Coffin, 1893

oilAmerican Realismportraitportraitfigurewomanheadscarfclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering subtle skin tones. It also offers practice in depicting fabric and soft edges.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and scarf.

  2. step 02

    Block in the background with a thin wash of muted green.

  3. step 03

    Establish the main shadow shapes on the face and clothing using a mid-tone mixture.

  4. step 04

    Begin layering lighter tones on the face, focusing on capturing the subtle shifts in value.

  5. step 05

    Refine the features of the face, paying attention to the eyes, nose, and mouth.

  6. step 06

    Add details to the hair, suggesting texture and form with short, broken brushstrokes.

  7. step 07

    Paint the scarf, using a combination of soft and crisp edges to create a sense of depth.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic portrait.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · viridian

Skin tones are achieved by mixing white, red, and umber, with small amounts of yellow ochre for warmth. The background is a mix of viridian, raw umber, and white.

techniques

  • ·portrait drawing
  • ·value studies
  • ·blending
  • ·scumbling
  • ·soft edges

common pitfalls

  • →Overworking the details too early.
  • →Using too much paint and losing the subtle value changes.
  • →Failing to capture the likeness of the subject.
  • →Creating harsh edges that detract from the softness of the portrait.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife

optional

  • ·medium (e.g., Liquin)
  • ·varnish

Use a limited palette to simplify color mixing and create a harmonious painting.

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oil painting for beginners →how to learn by studying the masters →
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