apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Study for ‘Origins of Land’ (recto)
Study for ‘Origins of Land’ (recto) by Graham Sutherland

plate no. 0825

Study for ‘Origins of Land’ (recto)

Graham Sutherland, 1950

oilExpressionismsketch and studyabstract formsgeometric shapesorganic shapesred backgroundyellow accentsblack outlines
experienced study

Recreating this painting will help students develop skills in abstract composition, color blocking, and expressive line work. It also encourages experimentation with texture and mark-making.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic grid-like structure and major shapes with charcoal.

  2. step 02

    Block in the large areas of red, yellow, and other base colors using flat brushes.

  3. step 03

    Add the darker outlines and details with a smaller brush, focusing on varying line weight.

  4. step 04

    Introduce texture by stippling or dry brushing in areas of yellow and other colors.

  5. step 05

    Mix and apply the secondary colors, paying attention to their placement and interaction with the primary colors.

  6. step 06

    Refine the shapes and details, adjusting colors and values as needed.

  7. step 07

    Add final touches and highlights to create depth and visual interest.

  8. step 08

    Step back and assess the overall balance and harmony of the composition.

color palette

primary · cadmium red · cadmium yellow · titanium white

secondary · black · raw umber · light pink

Mix pink by combining red and white. Vary the yellow by adding small amounts of raw umber or red to create different shades. Use black sparingly to create strong outlines and shadows.

techniques

  • ·color blocking
  • ·expressive linework
  • ·dry brush
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details and losing the spontaneity of the original.
  • →Using colors straight from the tube without mixing.
  • →Creating muddy colors by over-blending.
  • →Ignoring the underlying grid structure and creating a chaotic composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints (red, yellow, white, black, umber)
  • ·assorted brushes (flat, round)
  • ·palette
  • ·palette knife
  • ·water container

optional

  • ·retarder medium
  • ·varnish
  • ·easel

Use good quality acrylic paints for better color saturation and longevity. Consider using a medium to slow the drying time of the acrylics.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor