
plate no. 9506
Francis Bacon, 1980
Recreating this painting will help students develop skills in expressive brushwork and capturing distorted figures. Focus on layering colors and creating a sense of movement and unease.
technical profile
approach — 8 steps
Lightly sketch the basic geometric shapes and the figure's pose.
Block in the main areas of color: background, floor, and figure.
Begin to define the figure's form with darker values, paying attention to the distorted anatomy.
Add details to the face and clothing, using short, expressive brushstrokes.
Paint the bird, focusing on capturing its dynamic pose and the texture of its feathers.
Refine the background and geometric shapes, adding subtle variations in color and value.
Add final highlights and shadows to create depth and dimension.
Review and adjust the overall composition, ensuring a sense of balance and tension.
color palette
primary · raw umber · titanium white · ultramarine blue
secondary · cadmium red · viridian green · yellow ochre
Mix raw umber and ultramarine blue for the dark shadows. Use cadmium red and titanium white for the skin tones. Mix viridian green with yellow ochre for the green floor.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas to allow for expressive brushwork. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor