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home·artworks·Streets meeting on Baja
Streets meeting on Baja by Endre Bartos

plate no. 4665

Streets meeting on Baja

Endre Bartos, 1994

oilExpressionismcityscapebuildingshousestreesskycityscapestreet
some experience helpful

This painting is great for practicing impasto techniques and understanding how to create depth with color and texture. Students will also learn how to simplify complex scenes into basic shapes and color blocks.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, tree, and street, focusing on composition.

  2. step 02

    Apply a thin underpainting of burnt umber or a similar neutral tone to establish values.

  3. step 03

    Block in the main colors of the buildings, sky, and tree using thick paint and visible brushstrokes.

  4. step 04

    Add details to the buildings, such as windows and rooflines, using smaller brushstrokes.

  5. step 05

    Create texture in the tree foliage by dabbing paint with a stiff brush or palette knife.

  6. step 06

    Refine the shadows and highlights to enhance the three-dimensional effect.

  7. step 07

    Add final touches, such as small details in the foreground and background.

  8. step 08

    Allow to dry completely and varnish for protection.

color palette

primary · red · blue · yellow · white

secondary · green · purple · pink · turquoise

Mix various shades of red, blue, and yellow with white to create the different hues seen in the buildings and sky. Use green and purple to create shadows and add depth.

techniques

  • ·impasto
  • ·color blocking
  • ·broken color
  • ·palette knife application
  • ·scumbling

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Losing the overall composition by focusing too much on small details.
  • →Using too much paint, which can make the painting look heavy.
  • →Not varying the brushstrokes enough, leading to a flat and uninteresting surface.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·palette
  • ·assorted brushes (flat and round)
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags
  • ·apron

Use heavy body acrylics or oil paints for best results with impasto techniques. A textured canvas can also enhance the effect.

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oil painting for beginners →how to learn by studying the masters →
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