
plate no. 4665
Endre Bartos, 1994
This painting is great for practicing impasto techniques and understanding how to create depth with color and texture. Students will also learn how to simplify complex scenes into basic shapes and color blocks.
technical profile
approach — 8 steps
Sketch the basic shapes of the buildings, tree, and street, focusing on composition.
Apply a thin underpainting of burnt umber or a similar neutral tone to establish values.
Block in the main colors of the buildings, sky, and tree using thick paint and visible brushstrokes.
Add details to the buildings, such as windows and rooflines, using smaller brushstrokes.
Create texture in the tree foliage by dabbing paint with a stiff brush or palette knife.
Refine the shadows and highlights to enhance the three-dimensional effect.
Add final touches, such as small details in the foreground and background.
Allow to dry completely and varnish for protection.
color palette
primary · red · blue · yellow · white
secondary · green · purple · pink · turquoise
Mix various shades of red, blue, and yellow with white to create the different hues seen in the buildings and sky. Use green and purple to create shadows and add depth.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use heavy body acrylics or oil paints for best results with impasto techniques. A textured canvas can also enhance the effect.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor