apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Street in Pendelbury
Street in Pendelbury by L. S. Lowry

plate no. 9344

Street in Pendelbury

L. S. Lowry, 1948

oilNaïve Art (Primitivism)cityscapecityscapebuildingsfiguresstreetskyindustrial
some experience helpful

Recreating this painting will help students practice simplifying complex scenes into basic shapes and understanding atmospheric perspective through muted colors. It also encourages observation of human figures in motion and their relative scale.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the street perspective.

  2. step 02

    Indicate the horizon line and the placement of key figures.

  3. step 03

    Block in the large areas of color for the buildings, street, and sky using a limited palette.

  4. step 04

    Add the basic shapes of the figures, focusing on their silhouettes and relative sizes.

  5. step 05

    Refine the shapes of the buildings, adding details like windows and chimneys.

  6. step 06

    Add details to the figures, such as clothing and facial features, keeping them simple and stylized.

  7. step 07

    Use subtle variations in tone to create depth and atmosphere.

  8. step 08

    Add final details like lampposts and fences.

color palette

primary · titanium white · raw umber · ivory black

secondary · cadmium red light · yellow ochre · cerulean blue

Mix white with small amounts of raw umber and black to create the various shades of gray for the buildings and street. Use small amounts of red, yellow, and blue to add subtle color variations.

techniques

  • ·simplified shapes
  • ·atmospheric perspective
  • ·limited palette
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overcomplicating the details of the figures.
  • →Using colors that are too bright or saturated.
  • →Not establishing a clear sense of perspective.
  • →Making the brushstrokes too uniform.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

A smooth canvas is recommended to achieve a similar texture to the original painting. Consider using a toned canvas to start with a mid-value ground.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden