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home·artworks·Street in Munich
Street in Munich by Mstislav Dobuzhinsky

plate no. 3349

Street in Munich

Mstislav Dobuzhinsky, 1901

oilSymbolismcityscapecityscapebuildingsstreetfigureshadowsnight
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating a mood using a limited color palette. It also provides practice in rendering simple figures and architectural forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the figure, paying attention to perspective.

  2. step 02

    Establish the overall value structure by blocking in the dark areas of the sky and shadows.

  3. step 03

    Begin adding color to the buildings, starting with the warm tones of the building on the left.

  4. step 04

    Gradually build up the details of the buildings, including the windows and architectural features.

  5. step 05

    Add the figure, focusing on its silhouette and the way it interacts with the light and shadow.

  6. step 06

    Refine the details of the street and the shadows, paying attention to the way the light reflects off the surface.

  7. step 07

    Soften edges and blend colors to create a sense of atmosphere.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt sienna · raw umber · ivory black · titanium white

secondary · yellow ochre · cadmium red light

Mix burnt sienna and raw umber with ivory black and titanium white to create a range of warm and cool grays. Use yellow ochre and cadmium red light to add warmth to the buildings.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·limited palette
  • ·tonal painting

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using too many colors and creating a chaotic effect.
  • →Failing to establish a strong value structure.
  • →Ignoring the principles of perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes
  • ·flat brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a canvas with a smooth surface to facilitate blending. Consider using a toned canvas to establish a base color.

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