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home·artworks·Street from Cluj
Street from Cluj by Teodor Harșia

plate no. 8681

Street from Cluj

Teodor Harșia, 1958

oilExpressionismcityscapecityscapebuildingsstreetsnowfiguressky
some experience helpful

Recreating this painting will help students develop skills in impasto techniques and capturing atmospheric perspective with color temperature changes. It also provides practice in simplifying complex scenes into expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings and street.

  2. step 02

    Block in the main color areas with thin washes, focusing on the overall value structure.

  3. step 03

    Begin applying thicker paint with visible brushstrokes, building up texture and detail.

  4. step 04

    Use a variety of brushstrokes to create different effects, such as short, choppy strokes for snow and longer strokes for buildings.

  5. step 05

    Pay attention to the color temperature, using cooler colors for distant objects and warmer colors for closer objects.

  6. step 06

    Add details such as figures and architectural elements, keeping them loose and expressive.

  7. step 07

    Refine the highlights and shadows to create depth and dimension.

  8. step 08

    Add final touches and adjust colors as needed.

color palette

primary · titanium white · yellow ochre · burnt umber

secondary · ultramarine blue · cadmium red · ivory black

Mix various shades of gray and brown by combining white, umber, and black. Use blue and white to create cool grays for the sky and snow shadows. Add small amounts of red to browns for warmth in the buildings.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Creating muddy colors by over-mixing.
  • →Ignoring the importance of value contrast.
  • →Failing to establish a strong focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·assorted hog bristle brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-textured canvas to enhance the impasto effect. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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