apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Stove
Stove by Alex Colville

plate no. 9644

Stove

Alex Colville, 1988

oilContemporary Realismgenre paintingdogwomanstoveinteriortile floordomestic scene
some experience helpful

Recreating this painting will help students develop skills in rendering form with subtle value changes and creating a sense of depth through linear perspective and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the main elements (stove, dog, woman).

  2. step 02

    Block in the large shapes with basic colors, focusing on the overall value structure.

  3. step 03

    Refine the shapes and forms, paying attention to the subtle value gradations on the dog and the woman's dress.

  4. step 04

    Add details to the stove, including the AGA logo and the door.

  5. step 05

    Render the tile floor using linear perspective to create a sense of depth.

  6. step 06

    Add highlights and shadows to enhance the three-dimensionality of the forms.

  7. step 07

    Refine the edges and details, ensuring that the overall painting has a cohesive and realistic appearance.

  8. step 08

    Add final touches and adjust values as needed.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · raw sienna · ivory black

Mix various shades of blue for the stove, using white to lighten and umber to darken. Achieve the dog's fur color by blending yellow ochre, burnt umber, and white. Create the tile floor color by mixing burnt umber and raw sienna.

techniques

  • ·value study
  • ·linear perspective
  • ·atmospheric perspective
  • ·color mixing
  • ·rendering form

common pitfalls

  • →Incorrect proportions
  • →flat or unrealistic rendering of forms
  • →inaccurate perspective
  • →muddy color mixtures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)

optional

  • ·medium gloss
  • ·retarder medium (for acrylics)
  • ·easel

Use a smooth canvas for best results. Consider using a medium to slow the drying time of acrylics.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Fifth Ave

Fifth Ave

Pietropoli Patrick

July

July

Fairfield Porter

Tresco

Tresco

John Miller

Pope John Paul II

Pope John Paul II

Nelson Shanks

Pacific

Pacific

Alex Colville

Dog and Groom

Dog and Groom

Alex Colville

Beach with Palm

Beach with Palm

John Miller

Au Wihlering II

Au Wihlering II

Gazmend Freitag