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home·artworks·Stone maiden (Still life)
Stone maiden (Still life) by Natalia Goncharova

plate no. 1961

Stone maiden (Still life)

Natalia Goncharova, 1908

oilExpressionismstill lifefigurestill lifevaseflowerportraitobjects
some experience helpful

Recreating this painting will help students develop skills in depicting form with simplified shapes and using a limited palette to create a cohesive mood. It also encourages experimentation with visible brushstrokes to add texture and interest.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the figure, vase, and flower arrangement, focusing on proportions and placement.

  2. step 02

    Block in the background with a dark, muted color.

  3. step 03

    Apply a base layer of color to the figure, vase, and flower, using a mid-tone.

  4. step 04

    Add darker values to create shadows and define the forms.

  5. step 05

    Introduce lighter values to highlight the forms and create a sense of depth.

  6. step 06

    Refine the details of the vase and flower, paying attention to the patterns and textures.

  7. step 07

    Add final touches to the figure, such as the facial features and the details of the hands.

  8. step 08

    Review the painting and make any necessary adjustments to the colors, values, and details.

color palette

primary · raw umber · ultramarine blue · titanium white

secondary · yellow ochre · purple

Mix raw umber and ultramarine blue to create the darker tones for the shadows. Use titanium white to lighten the colors and create highlights. Mix ultramarine blue and a touch of red to achieve the purple hues.

techniques

  • ·blocking in
  • ·dry brushing
  • ·color mixing
  • ·simplification of form
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the simplified forms.
  • →Using too many colors and creating a muddy effect.
  • →Failing to establish a strong value structure.
  • →Not capturing the expressive quality of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a limited palette to maintain color harmony. Experiment with different brushstrokes to achieve the desired texture.

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oil painting for beginners →how to learn by studying the masters →
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