apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Still life with green apples and pears
Still life with green apples and pears by Forrest Bess

plate no. 1425

Still life with green apples and pears

Forrest Bess, 1948

oilExpressionismstill lifestill lifeapplespearsfruittablebackground
some experience helpful

Recreating this painting will help students practice layering colors and creating texture with visible brushstrokes. It also encourages simplification of forms and understanding of basic color relationships.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and placement of the apples and pears.

  2. step 02

    Block in the background with a thin layer of yellow paint.

  3. step 03

    Establish the dark areas of the table with brown and ochre.

  4. step 04

    Begin layering the colors on the apples and pears, starting with the base tones.

  5. step 05

    Add highlights and shadows to create form and dimension.

  6. step 06

    Use thicker paint and visible brushstrokes to add texture.

  7. step 07

    Refine the details and adjust the colors as needed.

  8. step 08

    Add the red and ochre vertical lines in the background.

color palette

primary · yellow ochre · green · brown · red

secondary · white · raw umber

Mix greens by combining yellow ochre with a touch of brown and white. Achieve the brown tones by blending raw umber, yellow ochre, and a small amount of red. Use white to lighten colors and create highlights.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·impasto

common pitfalls

  • →Overworking the colors and losing the texture.
  • →Making the forms too realistic and losing the expressive quality.
  • →Not paying attention to the color relationships between the objects and the background.
  • →Creating mud by overmixing colors.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·yellow ochre paint
  • ·green paint
  • ·brown paint
  • ·red paint
  • ·white paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a textured canvas to enhance the brushstroke effect. Acrylics are a good option for beginners due to their fast drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor