apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Still Life with Can
Still Life with Can by Lyonel Feininger

plate no. 2912

Still Life with Can

Lyonel Feininger

oilExpressionismstill lifestill lifepitcherfruitbowlstableabstract
some experience helpful

This painting provides an opportunity to practice simplifying shapes and using visible brushstrokes to create texture. Students will also learn about color mixing to achieve muted tones and create a sense of depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the pitcher, bowls, and fruit, focusing on proportions.

  2. step 02

    Block in the background with a thin layer of yellow ochre, leaving some areas for lighter and darker variations.

  3. step 03

    Establish the dark areas of the table and the pitcher's shadow using a mix of burnt umber and black.

  4. step 04

    Mix a range of gray tones for the pitcher by combining white, black, and a touch of yellow ochre or burnt umber.

  5. step 05

    Paint the fruit using reds and oranges, adding small touches of green for highlights and shadows.

  6. step 06

    Add details to the bowls, including the blue and white patterns.

  7. step 07

    Refine the brushstrokes and edges to create a sense of texture and form.

  8. step 08

    Add final highlights and shadows to enhance the overall composition.

color palette

primary · yellow ochre · burnt umber · titanium white · black

secondary · cadmium red · ultramarine blue · sap green

Achieve the muted grays by mixing white, black, and small amounts of yellow ochre or burnt umber. Create the background by mixing yellow ochre with white for highlights and a touch of burnt umber for shadows.

techniques

  • ·blocking in
  • ·dry brush texture
  • ·color mixing
  • ·simplifying shapes
  • ·visible brushstrokes

common pitfalls

  • →Overworking the details
  • →Using colors straight from the tube without mixing
  • →Not paying attention to proportions
  • →Creating muddy colors by over-mixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·yellow ochre paint
  • ·burnt umber paint
  • ·titanium white paint
  • ·black paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for better texture. Acrylics are easier for beginners, but oils will give a richer color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor